When we think about how to create window light, the first thing we have to ask ourselves is: What exactly is window light? But what we really have to ask ourselves is: What are we trying to re-create—hard direct sunlight coming through a window, or indirect soft light on a cloudy day?
Why is it important to understand and test your gear? Well, because Murphy’s Law is the source of all pain when it comes to run & gun photo shoots. What do I mean by this? Simply, what can go wrong, will go wrong.
It’s all about who you know… at least that’s how the saying goes out here in Hollywood. A few months back, I decided to take full advantage of one connection.
Together, we're going to explore a few of my favorite tips for Shooting in a Photography Studio.
One of the advantages of using high-speed sync off-camera flash is for shallow depth of field portraits.
One of my favorite things about studio photography is that it provides a blank canvas for endless possibilities.
Who loves shooting a session through golden hour and sunset? I know I do! But why stop at sunset, especially now during the winter months when days are shorter?
On a recent trip to New Orleans we rented this bad ass Airbnb in the warehouse district, the one thing you will see are the killer windows very much part of those old warehouse buildings.
The most common question I’m asked is how I come up with my ideas for Fine Art Portraits. I have a notebook filled with possible next creations. My biggest regret is having more ideas than I can ever create in this lifetime.
We love shooting baby portraits. More specifically, we love simple, minimalist portraits that keep all of the attention on that adorable little subject.
