How To Shoot Indoors With Natural Light
There’s something about low light that draws me in. Maybe it’s the romantic atmosphere it exudes, or the depth it can give an image to make it look three-dimensional.
There’s something about low light that draws me in. Maybe it’s the romantic atmosphere it exudes, or the depth it can give an image to make it look three-dimensional.
A huge part of what we do as photographers is nothing more than capturing different subjects by means of all sorts of unique light sources.
As a freelance commercial and editorial photographer, you never quite know what the job will bring you. Today you could be inside a state of the art studio, photographing the CEO of a Fortune 100 company.
I’ve often said that digital photo editing is the other half of the equation to artmaking through photography. Yes, the pure art of photography is incredibly important to learn and master.
When Ellie asked me to write for the annual “Lighting” issue, she suggested “Lighting Patterns.” My first thought was dark, gloomy closeups with sad people and of course Rembrandt.
As someone who shoots with any kind of light available to me, I’m pretty resourceful when it comes to incorporating external lighting within my shoots. A lot of my photoshoots are spontaneous, so I don’t like to weigh myself down with heavy gear or props.
We know that weddings can be extremely unpredictable. You can do all of the preparation in the world, but as the famed fighter Mike Tyson once said, “Everyone has a plan until they get punched in the mouth.”
Nailing the perfect shot doesn't always have to involve endless posing or complicated lighting. Sometimes you can capture a magical photo just by thinking outside the box and using an everyday item in an unexpected way.
Simply defined, gels are transparent colored material used to modify lights for photography (both stills and motion). Gels are placed over light sources to create colored effects. The two basic types are color correction gels and non-corrective (color effect) gels.
I love the challenge of shooting on location with wildly varying lighting situations and environmental conditions between sets. It can be an exciting way to exercise blending ambient light and existing light sources with your speedlights or OCF systems and modifiers.