Want to make your portrait photography more interesting? Follow along on this photoshoot where I show you step-by-step some tips and tricks to creating more interesting portrait photography. This tutorial is easy to follow and uses basic items any photographer can get their hands on for a photoshoot.
Equipment Used:
Camera: Canon EOS R5
Lens: Canon RF28-70 f2.0
Light: Nanlite PavoTube II 6C
Team:
Photographer: Sal Cincotta
Model: Lauren Middleton
Hair & Makeup: Brandi Patton, ReFine Beauty
Ready to make your portrait photography more interesting? Let me show you how. What’s up, everyone? My name is Sal Cincotta. Today, we got a really cool set-up for you here in studio space that we are renting out. We are going to take… It’s a beautiful portrait. If we shot it just the way it is, it’s going to look amazing. But I’m going to show you other ways to jazz it up, church it up if you will. So let’s get to it. Follow me. We have got Lauren Smiles on set. And so we’ve got this ’70s vibe, ’60s vibe going on. We’ve got it lit with two Nan lite Pavo Tubes set to daylight balance. And then we’re throwing in a little bit of blue for an edge light on her. And then we’re leaving the lamps at tungsten, so they’re going to show up orange in the frame.
It’s going to be a beautiful killer shot, but how can we make it more interesting? So first, let’s just start with the base shot. So let’s get this. Love this whole theme. So on camera, I’m shooting with a Canon R5 in the 28-70 F2 lens just to give me the most versatility. For these, I am going to shoot at F2. Love the shallow depth of field here.
Settings: f/2 @ 1/80, ISO 800
So I got some killer shots. How do we make this a little bit more interesting? So the way I like to attack my portraits, if you will, is to take the base shot, get that base shot out of the way, and then shoot through something. Add a little bit more element, blur to the frame. I call it eye candy. I love doing that to the front of the frame. So I’m in an environment now. I don’t know what I have. I didn’t bring something to shoot through, but I do have some bubble wrap. Let’s try that.
All right. So now, what you can do here is take that same frame up and now what I’m doing is I’m putting this in front of the lens. Oh, that’s killer, Lauren. Stay there. Love it. Now, what I can do here to make this even more interesting is just wrap this around the entire lens, and it creates this… Film photographers will know this. Back in the day, if you wanted to get that blur around the lens, you would use Vaseline, believe it or not. They would do that back in the day. So this is fun. So I’m just wrapping this around. Again, you’re just experimenting. You’re having fun. There’s no right or wrong thing to do. Photography is art. You should be having fun with it. So that’s one thing we can do to church things up.
So what I’d want to do now is bring in another light source. And what we’re going to do is we’re going to add a little bit of color. So I want to add purple. Pick a color that makes sense. So orange blue, orange teal kind of makes sense. The purple’s working for me, so I’m going to stick with it. And this is just going to be for an edge light. I’m going to turn this up, and I’m just going to put this over here. And this is going to create a little bit more depth, which you should be seeing on her. So now, I’ve got a bluish-purplish light on her in that same post, and it’s fun. It matches the environment. It makes it more interesting by adding different lighting to it. So let’s take this, and I can immediately see on my camera the difference in these two shots.
So even if I’m looking at it, I can now see all this purple in the shadows and in the rafters and in the floor. And on the edge of her, it makes the portrait much more interesting. So now, I’m going to add one last light here to create an edge light on her. And I’m just going to put this over here, and that’s now going to give me a little bit more edge light on her here. I could add another light, add a color to it. You’re the artist. You’re the creative. This is what you want to do. So now, let’s get this final shot. And you’ve seen all three of me building… Mix it up.