A quick search on Google reveals hundreds of tutorials explaining different ways to convert your vibrant color images to beautiful black and white. What most of those tutorials fail to mention is that the key to creating compelling black-and-white images happens long before post-production. It starts with lighting.
I’ve contributed to every issue of Shutter Magazine, and not once have I resorted to a rant, at least not here in print. Well, it’s time to share some of my top pet peeves. I’ve got one goal: to get you to realize the mistakes I see so many of you making, and help you turn them into assets!
Strobe lighting can feel extremely intimidating when you’re first trying to understand light. What constitutes great lighting? What would a professional photographer consider great lighting versus terrible lighting?
We hear the saying all the time: Light is light. But not all light is created equal. The secret to natural and beautiful light is the right modifier for any given situation. While I love the thought of carrying...
Bodyscapes are the perfect addition to boudoir and fitness photography. Some potential clients may hesitate at first, and understandably so. Posing for photos that reveal so much of themselves can be quite unnerving.
Lighting offers probably one of the easiest ways for you to stand out from your competitors, mostly because of the endless ways it can be used and the seemingly complex nature of understanding how to both shape and control light.
When I first got into photography, I had no idea how much goes into creating amazing images. I thought you were either blessed with artistic talent or you were not, and that is what made certain photographers great and others not so great.
Models are the number-one finicky variable when planning shoots. Planning around one person (or multiple people) and having faith they will show up on time, professional and ready to go, is enough to keep you up at night.
I love soft lighting, but I don’t use it very often, so I was looking forward to creating these images and having a chance to flex my soft-light muscles. My design concept for this series of portraits called for...
Photographers are constantly battling with light to capture an epic moment, especially when the sun is hiding behind clouds or is out of the frame, causing distracting glares across the client’s face.
