Moments
Shutter Magazine

Capturing Moments on a Wedding Day

I believe wedding photography is a lot more involved than most other genres of photography. What I mean by “involved” is that a wedding day usually lasts 8-12 hours and has many moving parts and we, as photographers, are involved in it all throughout the day. We are also involved in the wedding much earlier. Our relationship with the client starts months before the big day and sometimes years earlier. As a boutique studio, I go out of my way to get to know my clients and what is important to them. How can I know what they love and want if I don’t ask? I’m genuinely curious. So on your next potential client meeting, make sure you ask. This is one of the most vital pieces of information because it will lead you to take images that are important to your clients. My curiosity has led me to photograph so many amazing moments.

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Lightroom
Post Production

How to Get Consistent Color Between Cameras in Lightroom Classic

When it comes to using multiple camera models and manufacturers, images photographed in the same place and time look different. As photographers, we focus on controlling this variance of brightness and color of light in a multitude of ways. Whether that’s using Auto, Priority Modes, or Manual settings in-camera, we constantly worry how this will look on the computer screen as well as images side by side. Regarding exposure specifically, we have standardized ways to keep this in check in-camera using blown highlight preview mode or showing the histogram on the display screen while shooting. Color consistency between multiple cameras is a whole other monster.

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Gear
Shutter Magazine

The Minimalist Videographer: Why Gear Isn’t Everything

The production value and quality still remains, but at a cheaper cost to my body and my wallet. I used to lose gear all the time on weddings. We would move from place to place so quickly that often times equipment would get left behind. We now rely on the built-in electronic viewfinders of our Panasonic Lumix mirrorless cameras for focus and exposure accuracy outside and for greater stabilization, rather than having to use an external monitor or hood loupe attached to the back of the camera. Today’s technology and improvements to these camera features make this possible. Hood loupes would always fall off and get lost. I don’t even use external mics on my cameras anymore. I simply rely on the built-in camera microphone to capture reference sound and ambient voices.

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Color Control
Shutter Magazine

A Simple Way to Control Color for the Professional Photographer

Understanding color output is an essential part of professional photography. However, there are limits to what you can control. You can’t determine how images look on people’s devices. However, you can ensure that you’re giving them the best chance to view your work in the way you intended. More importantly, having consistent color across your workflow creates the very best print products for your clients who love sharing your beautiful work digitally and with prints.

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client
Pricing

5 Ways to Make an Extra $2K Per Client

As a wedding photographer with a young family, my weekends are sacred to me. I always knew I never wanted to be “high volume,” but of course I wanted to make as much as possible per client to scale my business. Over the years I’ve learned a number of ways you can increase your client accounts while receiving raving reviews and not giving up more weekends! Hint: if your clients are spending more with you, it doesn’t mean they’re unhappy clients. The experience and value you provide just needs to match the price.

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WordPress
Shutter Magazine

How to Build Your Photography Website With WordPress in 2020

Wordpress is a platform with the power to build almost anything you want, but all that freedom makes it really tricky to navigate. Until I found the right tools through a lot of trial and error and crashed sites, I found it frustrating as well (in fact, as I write this, we’re dealing with the headache of switching the ShutterFest site to a new server). In this series, I want to save you all those headaches and show you the entire process of building a Wordpress site for your photography business, from beginning to end.

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engagement session
Shutter Magazine

How to Shoot An Engagement Session

What I propose is that you have a system for engagement shoots (or really any shoot). Maybe you’ll only have it in the back of your mind and bring it up on the uncreative days. Or perhaps you’ll just use it as a starting point to get everything flowing from there. Either way, having a go-to process in my head has helped me on numerous occasions. Posing guides are great, but having a method in the back of your mind will be much faster to access. Here’s my method and process of how I shoot my typical engagement session and how I interact with my clients and pose them. My sessions are slated as hour-long sessions, usually shooting about an hour before sunset so I have the best natural light and can maybe even snag a sunset or twilight picture or two.

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IPS
Shutter Magazine

Transitioning from Shoot & Burn to IPS

By transforming our business from a shoot and burn model to a full service IPS photography studio, we took our income from a yearly average of $70K to $195K in one year. I’m not going to lie to you—it was hard work. We revamped our logo, our website, thought about what we could do to elevate our client experience, and most importantly, added IPS. We realized we were leaving so much money on the table and we weren’t helping our clients where they needed it most. Here are 6 actions we took to get the ball rolling.

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wedding photojournalism
Shutter Magazine

10 Tips for Wedding Photojournalism

I love that when I start a wedding, I never know what to expect. Every couple is different and every wedding presents new opportunities. Creativity is all about highlighting people’s expressions, mannerisms, or interactions. Lighting, shadows, other subjects, or other elements can also make the image unique. Everything is based on using what you have in the location. I look into my psyche and trust my instinct to get the shoot I want.

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Behind the Shutter

Photography training and education for the modern photographer

In today’s competitive landscape, quality online photography training and education is priceless to your growth. Unfortunately, most publications contain a ton of fluff. No real meat to their content. Not at Behind the Shutter. We are committed to the photography community and improving professional photography by providing current, insightful, and in-depth educational content.

Training topics include photography lighting techniques, photography off-camera flash tips, photography posing guides, photography business concepts and marketing strategies, Facebook for photographers, boudoir and glamour photography training, high-school senior photography concepts, IPS (In-Person Sales) strategies, family photography, Lightroom tutorials, Photoshop how-tos, and much, much more.